About Follow Me Around Productions

---

At FMA, we are driven by the power of storytelling to illuminate the depths of the human experience. Our vision is to craft compelling narratives that resonate with audiences, sparking connection, curiosity, and conversation. From the raw and emotional exploration of the human condition to the edge-of-your-seat suspense of thriller and horror genres, we are dedicated to producing bold, authentic, and thought-provoking content across film, television, and podcast mediums.

We believe in championing diverse voices and fresh perspectives, pushing boundaries to create stories that linger in hearts and minds. Our mission is to leave audiences inspired, challenged, and entertained while shaping a legacy of exceptional storytelling that endures.

We bring stories to life across film, television, and podcast platforms. Our work spans from heartfelt dramas that explore the complexities of the human condition to adrenaline-pumping thrillers and spine-chilling horrors that keep audiences on the edge of their seats.

We can handle every aspect of production, from concept development and scriptwriting to casting, directing, and post-production. Whether it’s a feature film, episodic series, or immersive audio experience, we are committed to delivering high-quality content that captivates and resonates with audiences.

With a focus on collaboration and innovation, we seek out compelling stories, nurture emerging talent, and champion diverse perspectives. At our core, we are storytellers, driven to create content that not only entertains but also sparks meaningful conversations and leaves a lasting impact.

We wanted to tell stories and make moves and shows like the ones we grew up with. That's where it began at least. We each had our own individual dream that brought us to Los Angeles. Through luck, missteps and happenstance, we each eventually worked our way into the entertainment industry. As they say, where there is a will, there is always a way. Our ways into the machine varied - some of us were set production assistants, some were producer and director assistants, some worked in the production offices. Regardless, we all learned how the process worked and kept working our way up into new experiences and positions, staying focused on the goal of eventually making our own stories. It was a dizzying couple of decades before  the pandemic and the actors/writers strikes gave us something we hadn't had before - time to stop spinning on the wheel and work out how we could put together our own projects. That's when FMA was born, or forged, or invented. It was our turn to combine this wealth of knowledge and experience we had accumulated making projects for someone else and use it all for our own stories.